Lar
Park Lincoln represented the future of Knots Landing.
Her creation of the scheming and troubled Linda Fairgate energized
the old warhorse and paved the way for a 90s generation of
devotees. The decision to retire Linda’s character through
one of network television’s most grisly murders in effect
killed the last young light on the show. Knots Landing limped
along for another two years but the zesty excitement we had
grown to love, had grown to depend on, was snuffed out.
Lincoln
has had a turbulent ride since then, suffering through career
disappointments and family sorrows and soaring as a mother
and self-made businesswoman. Her invention “The Freedom
Bag” is one of the most popular items in the world of
home shopping. She has two children reaching adolescence,
both ready to follow in their mother’s footsteps. And
Mom herself is finally ready to return to acting after nearly
a decade’s absence.
We
welcome Lar Park Lincoln back, speaking to us from her home
in San Antonio.
Arthur :
It’s an exciting day to be speaking with you.
Lar
Park Lincoln: Why thank you very much.
Petey
Hollister asks
Wow, *the* Lar Park Lincoln. Lar, babe, I've been a fan
all the way back to 1988 when I first saw you as Tina Shepherd
in Friday the 13th Part VII: The New Blood. And then when
you turned up on Knots, my second favorite pastime (horror
movies being the first), I was surprised and delighted.
Your portrayal of Linda Fairgate was one of the best things
about Knots in the later years, and such Linda catchphrases
as "To hell with theory, let's get down to the brass
tacks" and "MORT?" are still bandied about
my home all the time. The show suffered a huge loss when
you exited stage left. My question is this: since it's been
stated that you are planning a return to acting, I'd like
to know if you already have a project lined up and if so,
when can we expect to see it? Also, I've read that you're
a fan of horror films; would you be willing to return to
the Friday the 13th franchise if they wanted you back?
Lar:
That’s a fun question. I don’t have a project
yet. But I really love television. I love the technical
aspect much more than movies. And in September I’ll
be going out for the Emmys for my “re-debut,”
so hopefully around that time I’ll have an offer (for
work). As for Friday the 13th series I’d love to come
back to that if they asked me.
AS:
How did you get involved with that?
Lar:
Well it was very quiet the way they advertised for the audition.
It was cast as something called “Birthday Bash”
so they wouldn’t have all the fans showing up and
crashing the audition but my husband read the script and
he said, “This is definitely Friday the 13th.”
(Laughs). He passed away 7 ½ years ago.
AS:
I’m so sorry. I didn’t know that.
Lar:
But I’ve written a script for Friday the 13th that
has a grown-up Tina returning as a psychiatrist and I’m
hoping Paramount might want to produce it.
AS:
That sounds like a great idea. But isn’t there a “Freddy
vs. Jason” movie in the works as well?
Lar:
I’ve been told that but I don’t know much about
it.
AS:
So what else have you been doing?
Lar:
What aren’t you doing is more like it. We put products
on QVC (the shopping network), I do live on-air hosting
for the beauty line which is interesting because it’s
live speaking with very little delay on the phone. I’ve
been writing; producing a video called “Getting Started
and Not Scammed.” (The video) is important to me because
I want to show how to avoid people taking advantage of those
trying to get a start in acting, and the scams that go on
all across the country. I started on my own at 16 and I
did not come from a family with money; I only had two pairs
of blue jeans in a little apartment. I went to modeling
school and was an intern and worked my way up from there.
So I’ve been doing public service seminars about this
and they’re going to be filmed for a video.I’ve
been doing all that and have been a single mom to my two
children.
AS:
What was the cause of your husband’s death?
Lar:
Cancer. He had it for 2 ½ years and was 43 when he
died. We had a home hospice set up here in San Antonio.
So I took time off after being on 90210 to be with my family.
I feel great, and with the passage of time it seems right
to return to acting.
AS:
How old are your children now?
Lar: My daughter is turning 13 and my son
10. My daughter is a little union actress who played a young
Ashley Judd and my son has also been bitten by the (acting)
bug, so we’ll see.
Ulysses
asks - In an old magazine from ´89 I read
that you were originally contracted to appear on KNOTS LANDING
as a mid-twenties mystery woman and eventual love interest
for Gary Ewing. But then the producers thought you looked
like a teen and because on DALLAS, another of their shows,
they´d already given a young girlfriend to Larry Hagman
and they didn´t want to look like they were copying
themselves. Is that story a true one?
Lar:
That’s almost exactly true actually. There’s
a little piece of trivia I’ve put in my new bio. I
originated as Linda Fairgate, that was a two-part position,
where I wore a brown wig and aggravated Karen. They wanted
me to be like a young Michele Lee for that. (Laughs). And
then I also played a character named Sally’s Friend
AS
(stunned): You were Sally’s Friend?
Lar:
It was me … they only showed my body
AS:
But I thought Teri Austin was Sally’s Friend? She’s
been credited as Sally’s Friend.
Lar
(slightly confused): No, it really was me. I did eight episodes
as the body of Sally’s Friend, but they thought I
was too energetic and too young to play her when her identity
was revealed. Which is funny because they later paired me
with Bill Devane, who was actually older! So that question
is almost right, but I don’t think they were afraid
of looking like they were copying from Dallas at that point
(chuckles).
AS:
Well that resolves the mystery of Sally’s Friend.
I think people thought that since Jill Bennett died right
before Sally appeared, that it must be Teri Austin.
Lar:
It was me - Sally’s Friend. But I originally didn’t
come in to read for Linda. I was casted to be a young Donna
Mills, in flashback. She was only supposed to be in one
episode, I think. I remember showing up for the audition
and there was a line of blondes who looked like Donna Mills
and a line of 5’9” brunettes who were supposed
to look like Karen. And after testing for Donna they thought
I would be better as Linda. The brown wig also was because
they said they had too many blondes on the show.
AS:
Your hair evolved in many ways.
Lar
(laughing): Yes it has. They made it shorter and more severe
as time went on. They really wanted to age me faster than
I was aging so they kept working on my hair.
Along
those lines, Bob Phillips asks: Had you
ever watched Knots Landing before joining the cast?
Lar:
Of course! I thought Nicolette was the most beautiful woman
I had ever seen.
AS:
So what was your first day on the set like?
Lar:
It was a wonderful day. I remember wearing a hound’s-tooth
jacket and I got a headache from the wig. Michele Lee stayed
after her time to do my close-up with me and I was really
thankful for that. It was a great day. I had an absolute
blast.
Christine
asks We once had a thread on the Knots Landing
forum about everybody's top 10 characters. At least 90 %
of the posters had Linda Fairgate on their top ten lists!
Does it surprise you to hear that the character of Linda
was so popuLar among the fans?
Lar:
I didn’t know it was that much. I would guess Linda
was popular because she was so rotten and so fun at the
same time. I studied a few people to become Linda, as she
went from the brown hair to the blonde meanie. I remember
having lunch with David Jacobs when he told me that they
were changing my hair to blonde and he said, “I’m
doing this because you look so sweet and everyone will be
shocked how you turn out.”
LKC1
asks Which storyline of yours stood out as your
favourite and which would you have liked to have had changed?
Lar:
I definitely would have liked to have changed the videotape
thing with Brian. I liked the actor but what in the world
were they doing? For my favorite, Mort and Bob. I just loved
them. I loved them and the fake little elevator that we
rode on. I also loved the scenes we shot with Mimi Kennedy,
who played my mother. Isn’t she great on Dharma and
Greg?
AS:
You know, your mother won a Gary Award last year, in the
category of “Best Short Term Player.”
Lar:
Oh really?
AS:
The Garys are our site’s award ceremonies. And I have
a feeling … even though they technically haven’t
been announced yet … that you’ll be nominated
for a Gary for best supporting actress. Just a hunch (even
though I’m on the nominating committee). (Laughs loudly)
Lar:
A Gary! That’s amazing! Now that’s very exciting.
AS:
I thought you’d like it. So you liked working with
Mimi Kennedy
Lar:
Yes and there was another scene that never made it in where
Linda was so poor and broke that she was putting bagels
in her pocket and bringing them back to her apartment. And
they showed me eating bagels in a run-down apartment. Elements
of that made it on screen, like a scene here and there with
Linda eating a bagel at her desk, but the whole thing never
aired.
Chris
Sumner Matheson asks Were you surprised being asked
back after just one appearance 2 years before and were there
plans for you to stay, or make more appearances during your
first appearance on Knots?
Lar:
They didn’t contract me for more than two. I had no
idea at the time they were going to ask me back. But they
did. With Sally’s Friend.
AS:
I think you may have already answered this one but
Laura Avery Sumner asks A lot of fans have commented on
the similarities between Linda when she first arrived in
KL & what they believe the young Karen Fairgate to have
been like. Do you know if it was intentional? Do you feel
there is any validity to that observation?
Lar:
Yes and completely. And I’m glad she picked up on
that because I don’t know if it was obvious to everybody.
There were a few scenes in the beginning where Linda was
very opinionated and it was supposed to remind you of how
Karen was.
Greg
Matheson asks Did you and Nicolette Sheridan get
along in real life because you made excellent enemies?
Lar
(laughing): I think we got along pretty well. I had the
young baby and husband at home so I didn’t really
socialize with many people.
AS:
Who were your friends on the set?
Lar:
Kevin Dobson was a friend to me. He showed me how to take
some challenges and channel them into the acting. Michele
Lee, of course. (The set was) professional and simple. People
did their work and no one acted liked stars. I never felt
as a new person coming onto the set like I was new. I had
that feeling in other places, believe me.
AS:
In that case, let’s bring this question up
Pamela asks I hear all the time the cast
of Knots was one big happy family, is that true? At my work
place everyone is backbiting, so was Knots truly a wonderful
place to work or is that just a Hollywood myth? No prima
donnas on set? Sorry to ask but I’m just a gossip.
Lar:
There probably were. I got in trouble once when I wanted
to have my skirt ironed. It was really wrinkled! But I’ve
never really seen any problems on any set. Then again, you
have to realize that we don’t work with as many people
as people think. A lot of times you do a master shot, an
over-the shoulder shot that is tighter but no one else is
there. So you have situations where you’re more conscious
of not tripping over equipment than the other actors in
a scene.
AS:
That’s interesting. I don’t think people know
about how cluttered a set can be.
Lar:
Yeah, exactly. Anytime you walk in something that seems
like a room you’re conscious of all the wires and
cables that you have to step over … and there are
so many union rules that prohibit actors from working too
many hours. So what happens is that you’re shooting
a scene, with all the necessary shots and close-ups, by
yourself. This happens especially with children who really
can’t work a lot of hours.
AS:
So many little things that the viewer never sees.
Lar:
For one thing, I never realized that you could fake crying.
On Friday the 13th I cried and cried, for real, until I
saw that you didn’t need to do that (for it to be
successful).
Tatianna
asks Linda once commented to Paige that she thought it an
honor to "work with her", and Paige responded
by saying, "you don't work with me, you work for me".
Linda did seem to work longer and harder to get ahead than
Paige ever thought about doing. If Linda had not been killed,
do you think Greg would have helped Linda get a higher position
than Paige?
Lar:
I think they were definitely going to that position. Linda
kept getting big kudos in the conference room scenes from
Greg, and Linda learned to be manipulative from Paige, so
yes, Linda was always working very hard and probably was
headed for bigger things.
AS:
I thought the relationship with Greg was the most promising
thing about your character. Two wounded people just using
each other for sex, but with real feelings beginning to
develop.
Lar:
I got that feeling too. I remember when Bill Devane was
directing me for the first time. I was supposed to be tearing
up the apartment looking for a videotape and he said, “This
isn’t brain surgery here. A little less on the tearing
up!” (Laughs heartily) I really concentrate on every
scene I do and in that one I was literally ripping the apartment
to shreds. I also remember in that same episode that Bill
Devane directed that there was a sex scene where there was
a fly on my head. I thought he would ignore it and keep
shooting but he burst out laughing at one point and said,
“We’ve got to get the fly off her head!”
James
from London asks I loved your scenes at The Sumner
Group with Greg and Paige. One gets the impression that
both William Devane and Nicolette Sheridan are quite tough,
demanding characters. Was that your experience? Was there
a different atmosphere on set of The Sumner Group during
filming than, say, at the Mackenzie house?
Lar:
I didn’t feel any difference at all. They’re
so comfortable in their skins that you don’t even
notice they’re acting. Bill was kind of a joker; Nicolette
was easy as pie.
AS:
I always get the impression about Bill Devane that he was
this comical, practical joker with an air of mystery thrown
in.
Lar:
And that’s … the way he really was! I remember
another time when he was doing a sex scene I believe in
a trench coat, sitting on the side of the bed. Only Bill
could get away with that. But he gives a lot too, to everyone
acting with him.
AS:
He’s the best that Bill Devane.
Lar:
Yes he is.
AS:
Do you keep in touch with any of the other actors?
Lar:
I really haven’t. Donna Mills, we’ve kept in
touch a little. We both are on QVC.
Patrick
Petersen a little bit. But no one lately. With raising my
kids and my husband dying I just lost touch.
Tommy
Fairgate asks Did you steal anything from the set
to sell on eBay?
Lar:
Oh my word, no! (Laughing) I got my chair, the canvas was
green, and everyone signed it. But there really wasn’t
a lot to take. There was a lot of fake clothing in fake
closets for imaginary characters, especially all the bras.
They gave us all the bras we were supposed to wear.
AS:
Bras? Now this is something I want to hear.
Lar:
Well, they were made to fit a certain type of cleavage.
AS:
To make it bigger?
Lar:
Or to hide it. Depended on the person.
Shashie
asks Hi Lar, You came on the show in the beginning
and was paired with Steve Shaw, one of the young actors
on the show. I thought your scenes were fantastic, but you
seemed a bit strained with him. Was that written that way?
Did you guys get along?
Lar:
I chose to do it that way. There was supposed to be tension
because of Karen so that’s why it came across that
way.
And
Karen Mackenzie asks Following on from
Shashie's question...It must have been pretty hard for you,
and the rest of the crew when Steve Shaw died, having played
Eric's wife and ending up having a fling with Michael. What
was it like on set around that time?
Lar:
When that happened - it seemed to start a series of illnesses
and deaths that were just terrible.
AS:
Steve Shaw’s death sounded like it was quite random.
Lar:
From what I understood it was a completely fluke accident
while he was driving in some curvy areas.
AS:
It didn’t involve drunk driving, right?
Lar:
Not that I know of. Definitely not on (Steve’s) part.
Jake
asks I remember reading, at the time of your departure
from KNOTS LANDING, that one of the reasons you left the
show was because the original creators of the Linda character,
Bernard Lechowick and Lynn Marie Latham, were having less
and less to do with the show as they were in the process
of creating HOMEFRONT, and you didn't like the direction
the other writers were taking the character. If Lechowick
and Latham had stayed with KNOTS and continued to write
and nurture the Linda character, would you have stayed?
Lar:
Absolutely I would have stayed. But the new writers said
there was nowhere else to go with my character.
AS:
So you were written out.
Lar:
I was written out. And I thought she was really getting
cooking. There were some good moments at the end - Devane
at one door and Brian at the other - those were fun scenes.
But the rest didn’t make sense.
AS:
Do you know what they were trying to do with the missing
videotape?
Lar:
I really don’t.
AS:
Do you think Latham and Lechowick put that plot in to be
intentionally ambiguous as they were leaving the show? Meaning,
to make something open-ended for the new writers?
Lar:
I don’t think they wrote it actually. It was not their
style of writing. There was some good stuff in there, though,
like the blonde in the white suit, the blonde in the hotel,
a pretty fun mystery seemed to be developing.
Alex
Wade asks If you could have re-written your last
episode on Knots and have had Linda slit the throat of any
one character, who would it have been?
Lar
(laughing): The only correct response could be Paige. Though
I probably would have liked to have gotten rid of Mrs. Richfield’s
niece who kept sneezing on me.
AS:
And I guess we’re up to your unfortunate departure
from Knots. It’s my opinion that Linda’s character
was the greatest wasted opportunity in the show’s
history. You’ve said that the new writers thought
your character had nowhere left to go, which obviously showed
how incompetent they were. Can you give any insight as to
why they were hired?
Lar:
I have no clue. I was completely out of the circle. It did
become odd all of a sudden. Nobody knew where things were
going. One day I was delivered the script that had me killed
in it. I guess they thought things were getting too expensive.
They brought the one on who played Kate, Stacy Galina, and
they had to make some room. Didn’t the cute cop go
at this time? What was his name?
AS:
Tom Ryan.
Lar:
Right. So they had a large cast with costs to get rid of.
AS:
So it wasn’t a contract dispute?
Lar:
No. How can you dispute one of the most fun jobs you’ve
ever had?
AS:
It sounds like you had a lot of fun on the set. What was
the best day you had while on Knots?
Lar:
Probably when we shot the “Brass Tacks” scene
in the conference room with Michele Lee. It was a long scene
but it was wonderful. Everything worked ... But you know,
not all of it was great. I had stalkers and was attacked
by fans.
AS:
Really?
Lar:
Yep, she was in frozen food and I was in bread. I heard
somebody yelling, “You bitch!” and I just knew
she was talking about me. It kept getting louder and louder
until she hit me.
AS
(incredulous): She punched you?
Lar:
She knocked me down.
AS:
What was she saying?
Lar:
Oh you know, “How dare you break up the families?”
and stuff like that. She was a very large woman. (Laughs
loudly)
AS:
Was she arrested?
Lar:
No, the manager came out and we decided to keep it quiet
and she was sent on her way.
AS:
Smackdown in the supermarket - I love it.
Lar:
It was kinda funny.
KL
Fan asks Hi Lar,Just a question about your big
"exit scene" on KL. I remember watching it that
night and I was horrified! Okay... maybe Linda wasn't the
most "lovable" person to ever hit Seaview Circle...
but man that was drastic.Was there a lot of discussion about
how graphic that scene was when it was shot? It seems tame
now compared to some of what we see on TV... but then...
wasn't it a little risky?
Lar:
There was a lot of discussion. I don’t know of a lot
of murders being on Knots. I wanted to die with my eyes
open. The network said we couldn’t do it.
AS:
Do you think it was graphic for the time period?
Lar:
Not as graphic as how we shot it. I would have rather had
my eyes open.
Pearsonsf
asks Lar, What leading role would you have liked
to see yourself in over the past few years? You would've
made a great Erin Brockovich!
Lar:
That’s very nice. I was fortunate to test against
Julia a few times. The one movie that I really remember
with her was Mystic Pizza. What roles would I have wanted?
I really wanted to get the Robert Redford and Demi Moore
movie (Indecent Proposal) because I wanted to spend a few
months looking at Robert Redford. I also like … Will
and Grace … I love the Karen character. I’d
love to work with Jessica Lange, Andy Garcia … Holly
Hunter. I didn’t want to do Baywatch.
AS:
Were you offered that?
Lar:
It was discussed. But I really don’t like the cold
water. I didn’t want the part of Silk Stalkings because
I thought it was about pantyhose, not crimes. That shows
I’m a blonde. I remember reading for Friends and I
can say I was spared not getting Dirty Dancing because no
one can replace Jennifer Grey.
AS:
So we’ve talked about your first day on Knots, and
your best day, now let’s talk about your
Lar:
Last day. The last day was very sad, but it was a fun scene
to shoot. It was almost like a movie of the week. I remember
being in the parking lot of Lorimar Studios and sitting
on the makeup case that I used and waiting for my ride.
Michelle Phillips came by and said hi, she was always very
gracious, and I just sat there and remembered thinking,
what was next?
AS:
In your case, there was always something next.
Lar:
Yes, there was
AS:
Thank you, Lar.
Lar:
Thanks, Art. Thanks everyone.
Discuss
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